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New EVPs from Wellington

by Karen Frazier, Managing Editor Paranormal Underground Magazine I’m done reviewing my evidence from our investigation of Wellington on the 100 year anniversary of the avalanche disaster this past Sunday night/Monday morning. Wellington was as serene and peaceful as I have ever seen it – but I think the spirits knew we were there. Gathering

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More EVPs

by Karen Frazier, Managing Editor Paranormal Underground Magazine I’m going to release a few more Wellington EVPs. I think as I said, I had well over 70, so I figure if I trickle a few out here and there, it will keep you entertained. Plus, let’s face it – it’s a much quicker way to

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Musical Audio Anomalies and a Disembodied Laugh on Video

by Karen Frazier, Managing Editor Paranormal Underground Magazine I’m having a little writers’ block the past few weeks, so I’ll supplement blogs with a few EVPs I’ve collected. These two EVPs are both from Wellington. You can read about Wellington just by searching Wellington in our blog search tab – it’s been peppered throughout my

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More Wellington Audio

by Karen Frazier, Managing Editor Paranormal Underground In yesterday’s blog, I discussed our most recent visit to the site of the avalanche/railroad disaster at Wellington. I had some time to review two of the recorders (there is still a third awaiting review). Here are the audio anomalies I have discovered thus far. The first two

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Return to Wellington

by Karen Frazier, Managing Editor Paranormal Underground After much begging, we returned to the site of the Wellington disaster (during the day!) with Tanner, Kevin and their two friends Matthew and McKenzie. Ever since hearing of my experience there a few weeks ago, there’s been a full court press to take them. Since it is

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Hi-Def Audio Recording Revisited – Wellington

by Karen Frazier, Managing Editor Paranormal Underground In the past few days, I have been posting audio pulled from my regular Olympus recorders as I’ve heard it in analyzing the audio. The evidence comes from three different Olympus recorders, a DS-40, a WS-210S, and WS-300M. I very deliberately listened to the Olympus recorders first before

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